The Kintsugi Process

Kintsugi is a traditional Japanese method of repairing ceramics that has been practiced for centuries. It uses urushi lacquer—a natural material made from the sap of the lacquer tree, known for its strength and durability—to bond and restore broken pieces. Over time, this process became not only a practical method of repair, but a distinct craft in its own right.

Rather than discarding broken objects, kintsugi treats them as something worth preserving. The repair is intentionally visible, often highlighted with gold, and becomes part of the piece itself. In many cases, a repaired object is considered even more valuable than it was before it was broken—its history acknowledged rather than hidden.

Each repair is approached individually, depending on the object, the materials, and the way it has broken. While no two repairs are exactly the same, most follow a series of core stages that build gradually toward a durable and thoughtfully finished result.

Illustration of the kintsugi process -- applying mugi urushi to a broken bowl.

Step 1

Mugi urushi 麦漆

Broken fragments are carefully reassembled using mugi urushi, a mixture of lacquer and flour that forms a strong adhesive bond. The piece is then placed in a humidity-controlled environment to cure.

Illustration of the kintsugi process -- applying sabi urushi to a broken bowl.

Step 2

Sabi urushi 錆漆

A paste of lacquer and fine clay powder is used to fill gaps and smooth the repaired seams. After curing, the surface is carefully shaped and refined.

Illustration of the kintsugi process -- applying a final layer of red (bengara) urushi to a broken bowl.

Step 3

Urushi layers 漆塗り

Several thin layers of urushi lacquer are applied along the repair line. Each layer must cure fully before the next is added, slowly building a smooth foundation for the final finish.

Illustration of the kintsugi process -- applying gold powder to a repaired broken bowl.

Step 4

Gold application 金蒔き

While the final lacquer layer is still slightly tacky, fine metal powder is gently applied. Gold is most traditional, though silver, brass, copper, or even colored lacquer finishes may also be used depending on the piece.

What to Expect

Every repair is a little different. Rather than fixed pricing, I approach each piece individually—considering the nature of the damage, the materials, and the time required to do the work properly.

The information below is meant to give you a general sense of how I think about repairs, materials, and timelines.

Pricing

Traditional kintsugi is a labor-intensive process, and even relatively simple repairs require many hours of work spread across multiple stages. As a general guideline, the smallest repairs begin at approximately $115, with costs increasing based on the complexity of the repair and the finishing materials selected. Precious metals (e.g., gold, silver) are priced separately.

Factors that influence cost include the number and size of breaks, the size of the overall piece, whether any pieces are missing, and the complexity and stages required for the repair.

Because every piece is unique, exact estimates are provided only when a repair is invited to move forward from the waitlist.

Timing

Traditional kintsugi is a slow process that requires multiple layers of urushi lacquer, each of which must cure fully before the next step can begin.

Because of this, repairs typically take approximately two to three months to complete once work begins. If your piece is intended for food or drink use, an additional curing period of about two months is required after the repair is finished.

I work on a limited number of repairs at a time, and new projects are often scheduled several months in advance. Joining the waitlist is the best way to be considered for a future repair.

Finishing Options

The final finish affects both the cost and overall appearance of the repair. Gold and silver finishes are measured and quoted per gram at the time of your project assessment, while bronze and copper are included in the base repair cost and offer a more accessible alternative with their own distinct character.

Gold and silver finishes, along with traditional urushi lacquer, are suitable for items intended for food or drink use, while all finishing options are available for decorative pieces. Each material also ages differently over time, and I’m happy to help you choose an option that best suits your piece.

Kintsugi finishing option -- gold powder.

Gold

Kintsugi finishing option -- copper powder.

Copper

Kintsugi finishing option -- silver powder.

Silver

Kintsugi finishing option -- bronze powder.

Bronze

Kintsugi finishing option -- colored urushi lacquer.

Black or Color Urushi

Frequently Asked Questions

If you have a question that isn’t answered here, feel free to reach out. You can contact me at kinkuro.kintsugi@gmail.com.

About the Repair

Care & Use

Materials & Safety

Logistics

If you have a piece you care about, I'd love to hear its story and see whether it might be a good candidate for repair.